For a producer or studio hiring a composer to create an original score for a film, series, or documentary — covers spotting sessions, demos, revisions, delivery formats, publishing rights, and screen credit.
Drafted by a Harvard Law entertainment attorney.
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This contract is built for hiring a composer to create original music or a score for a film, show, or video. It fits work that needs a set fee, defined delivery of cues and files, clear credit, and clear ownership of the music.
It helps to have these details on hand before you create your contract:
Engagement and services
Sets the score, spotting, demos, revisions, and delivery.
Compensation
Covers the fee, payment timing, and what any music budget covers.
Intellectual property and rights
States who owns the music and how publishing and royalties are handled.
Credit
States how and where the composer is credited.
Term and termination
Covers how long the deal lasts and how it can end.
Representations and warranties
Confirms each side has the right to enter the deal and meet its promises.
Disputes and general provisions
Covers standard terms such as notices, how disputes are handled, and signatures.
These are common issues to watch for in any composer agreement: